Summary

Rogues in the Postcolony is a study of Anglophone Indian picaresque novels that dramatize the impacts of extractive capitalism and colonial occupation on local communities in several Indian states. In this materialist history of development on the subcontinent, Stacey Balkan considers works by Amitav Ghosh, Indra Sinha, and Aravind Adiga that critique violent campaigns of enclosure and dispossession at the hands of corporate entities like the English East India Company and its many legatees. By foregrounding the intersections among landscape ideology, agricultural improvement, extractive capitalism, and aesthetic expression, Rogues in the Postcolony also attends to the complicity of popular aesthetic forms with political and economic policy, as well as the colonial and extractivist logics that often frame discussions around the so-called Anthropocene epoch.

Bringing together questions about settler-colonial practices and environmental injustice, Rogues in the Postcolony concludes with an investigation of new extractivist frontiers, including solar capitalism, and considers the possibility of imagining life after extraction on the Indian subcontinent and beyond.

Contents

Acknowledgments
Abbreviations

Introduction: Why Can’t a Rogue Be a Hero?
1. Revisiting the Environmental Picaresque: Plantationocene Aesthetics and the Origins of Cheap Nature in Amitav Ghosh’s Ibis Trilogy
2. A Memento Mori Tale: Indra Sinha’s Animal’s People and the Politics of Global Toxicity
3. Slum Ecologies: Figuring (Energy) Waste in Aravind Adiga’s The White Tiger
Conclusion: Beyond Extraction: Imagining Solarity in India's Mineral Belt

Notes
Bibliography
Index 

Author

Stacey Balkan is assistant professor of English and environmental humanities at Florida Atlantic University. She is coeditor of Oil Fictions: World Literature and Our Contemporary Petrosphere.

Reviews

“Rogues in the Postcolony is a marvelous study of how picaresque novels refract the violent dispossessions and rogue freedoms of extractive capitalism in India and beyond. In dialogue with cutting-edge conversations in environmental and energy humanities, Balkan argues convincingly that extraction is a pervasive dynamic within post/colonial modernity.”
Dominic Boyer, author of Energopolitics: Wind and Power in the Anthropocene

Summary

Weatherford Award Winner, Nonfiction

The Harlan Renaissance is an intimate remembrance of kinship and community in eastern Kentucky’s coal towns written by one of the luminaries of Appalachian studies, William Turner. Turner reconstructs Black life in the company towns in and around Harlan County during coal’s final postwar boom years, which built toward an enduring bust as the children of Black miners, like the author, left the region in search of better opportunities.

The Harlan Renaissance invites readers into what might be an unfamiliar Appalachia: one studded by large and vibrant Black communities, where families took the pulse of the nation through magazines like Jet and Ebony and through the news that traveled within Black churches, schools, and restaurants. Difficult choices for the future were made as parents considered the unpredictable nature of Appalachia’s economic realities alongside the unpredictable nature of a national movement toward civil rights.

Unfolding through layers of sociological insight and oral history, The Harlan Renaissance centers the sympathetic perspectives and critical eye of a master narrator of Black life.

Contents

Foreword by Loyal Jones

Acknowledgments

Introduction

1. Alex Haley—The Taproot

2. Between Alex Haley, W. E. B. Du Bois, Ed Cabbell, and the Affrilachian Poets

3. Black Mountain Mantrips and Woman Trips

4. What’s in a Name?

5. Black Folk Done Lost Their Stuff

6. The Common Narrative of Black Appalachian Coal-Camp Families

7. Blacks Moving between Central Alabama and Central Appalachia

8. Close-Knit Central Appalachian Coal-Camp Black Communities

9. On Trash-Talking and Signifying along Looney Creek

10. In a Coal Mine, Everybody Is Black; Outside, Not So Much

11. School Integration Was Worse than a Kick in the Head by an Alabama Mule

12. The Principal of the White School Became a Lifelong Friend

13. Not Bad for Some Colored Kids from Harlan County, Kentucky

14. King Coal Leaves the Throne

15. The Graying of the Eastern Kentucky Social Club

16. Meditating on the Future at the Mountaintop

Notes

Index

Author

William H. Turner is a sociologist now based near Houston, Texas. He received a lifetime of service award from the Appalachian Studies Association in 2009, which joined other career highlights that include induction into the Kentucky Civil Rights Hall of Fame.

Reviews

“A warm and insightful memoir of Black life in Appalachia’s coal camps that offers a bounty of correctives to the persistent myth that all mountain people are white and all poverty is self-made.”
Elizabeth Catte, author of What You Are Getting Wrong About Appalachia and Pure America: Eugenics and the Making of Modern Virginia

“Heartfelt portraits that are original, compelling, revelatory, and deeply human.”
David Ritz, author of Respect: The Life of Aretha Franklin

“One of the oldest and most enduring myths about the Appalachian Mountains is that they are now and always have been overwhelmingly populated by white Scots-Irish. Dr. William H. Turner has written a new book, The Harlan Renaissance: Stories of Black Life in Appalachian Coal Towns, that kills that myth about whiteness and, for good measure, buries several more myths as well.”
Daily Yonder

“It’s a book only Turner could write, and without it, this slice of American culture would be lost forever.”
Berea College Magazine

Summary

Words have meaning and meaning evolves over time. In Perfect Dirt, Keegan Lester drags us through his failure to grasp the meaning that always seems to be just beyond his fingertips. These lyrical vignettes depict a lifelong search for home, identity, and the language to say the things we wish we could tell people in the moment.

Born in Southern California to parents who had migrated from West Virginia and South Florida, Lester spent summers with his grandparents in Morgantown, which instilled a deep anchor of place that continued to call to him, an Appalachian at heart even while living in New York City as a poet. As small successes started to come his way—a book and numerous tours—so did crises. Lester’s father, meanwhile, experiencing his own life crisis, embarked on a journey to sail the Caribbean. Both end up lost.

Part memoir, part tour diary, part homage to the places and people who have made him who he is, Perfect Dirt digs into the sometimes painful, sometimes jubilant questions of identity and success. This is a book searching to better understand the world and our place in it, the family we’re born into, and the family we make along the way.

Hear the author read an excerpt from Perfect Dirt.

Contents

part one
for all my strangers
welch
a snapshot
cardinals staining the air we breathe
shane rooney
the way in which wind moves

part two
tour diary: huntington, west virginia
peaches
a year later, in philly
on writing a book
political poem
train gravity

part three
tour diary: alabama
grandma
christmas is a big deal in my family
a few weeks before thanksgiving my dad says
ernest
my flatbush friends
west virginia day

part four
tour diary: day off in morgantown
my grandpa rice
tour diary: charleston show
sometimes my sister is too good at giving christmas presents
tour diary: lewisburg
tour diary in the south: putting more heart in our heartbreak 
there were also readings
graduation

part five
the doldrums
when my father got lost at sea i start doing things i normally don’t do
ain’t, ain’t a word
another thing i wonder about while my father is lost at sea
not long ago, i’d gone to a class in west virginia
my mother is speaking in a voice, but it’s not my mother’s voice
i don’t think he knows how to use his phone
one day while i was on tour, my friend bryan, who’s super into ghost stories, the occult, metal music, and zines, says
father’s day
home

acknowledgments
 

Author

Keegan Lester is the author of this shouldn’t be beautiful but it was and it was all i had so i drew it, selected by Mary Ruefle for the 2016 Slope Editions Book Prize. His writing has been published in Ploughshares, the Boston Review, Cutbank, Hobart, and Vol. 1 Brooklyn, among others. He lives in New York City.

Reviews

“In Perfect Dirt, tenderness is so tangible, so electric. You feel it when a grandpa hoists a young Keegan Lester up so he can feed wild horses sugar cubes, you hear it when a grandma speaks thunder, it embraces you each time Lester holds close the good people of West Virginia. But this tenderness is also thorny: it sparks in the quiet togetherness of men, it leaps around a father lost at sea, it underscores loss and regret. Keegan Lester is an immensely gifted writer. This book will stay with you.” 
Eduardo C. Corral, author of Guillotine

“Keegan Lester’s writing and storytelling about West Virginia and its people feel how West Virginia’s landscape feels to me—like I’m being hugged and protected. Perfect Dirt reminds us that we can love a place and still be critical when it’s done out of love and tenderness. This book has brought me back home in the best ways, with a newer, more open heart, mind, and body.”
Steven Dunn, author of water & power

“Places are fleshed out alongside people, with West Virginia being the book’s star. . . . In breathtaking, nuanced prose, Lester tackles the human experience. . . . Powerful and insightful.”
Foreword Reviews

“Reading Perfect Dirt is like a long, beautiful conversation with a stranger you just met at a backyard barbeque. . . . There’s an effervescence of beautiful sentences in this book, an optimism that tugboats you from one scene to the next. . . . His longings remind me of Breece D’J Pancake.”
Adroit Journal

Summary

Slow Fuse of the Possible is a poet’s narrative of a troubled psychoanalysis. It is also a commanding meditation on the powers of language, for good and for ill.

From the beginning of their time together, it is clear that the enigmatic analyst and Daniels are not a good match, yet both are determined to continue their work—the former in nearly complete silence, and the latter as best she can with the tools at her disposal: careful attention to language, deep reading, and literary imagination. Throughout, the story is filtered through the mind of Emily Dickinson, whose poetry Daniels uses as a fulcrum for the interpretation of her own experience. The book is saturated with Dickinson’s verse, and Dickinson is an increasingly haunting presence as crises emerge and the author unravels.

This compelling lyric memoir, so richly steeped in all facets of language and the literary, allows readers a glimpse into the mind of a renowned poet, revealing the dazzling and anguished connections between poetry and psychoanalysis.

Contents

Preface

Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26

Afterward and Acknowledgments
Notes
Permissions

Author

Kate Daniels is the author of six poetry collections, including In the Months of My Son’s Recovery. A former Guggenheim Fellow, she is the Edwin Mims Professor of English at Vanderbilt University. She teaches writing at the Washington-Baltimore Center for Psychoanalysis and is a former poet in residence at Duke Medical and Vanderbilt Medical.

Reviews

“Daniels is a keen observer of visceral moments and powerful emotions.”
Kirkus Reviews

“Kate Daniels has transformed a painfully failed analysis into an unlikely, original, and successful book, a compellingly personal and brave study of poetry and psychoanalysis, her interrelated passions, which she treats with a mixture of wry poignance and deep devotion. Slow Fuse is a book of burning soulfulness.”
Edward Hirsch, author of 100 Poems to Break Your Heart

“A searching, scorching account of psyche, psychoanalysis, and life. Through Kate Daniels we appreciate the gift of poetic creation in the midst of destructive moments.”
Michael Eigen, author of The Challenge of Being Human, The Sensitive Self, and Contact with the Depths

“Her continual emphasis on language is no accident: she shows the ways in which the processes of analysis and writing mirror and inform each other, delving as they do into what’s figurative and metaphorical. Slow Fuse of the Possible is a compelling memoir about tense and turbulent experiences within an analysis relationship.”
Foreword Reviews

“It is a fascinating book—amazing in its candor and its ability to capture the flow of free association, like pinning down an ocean wave. Certainly, it offers a new way to think about poetry.”
Chapter 16

“Beautiful and harrowing. . . . A compulsively readable, brave document that allows the reader to enter into Daniels’s world of words in a way that is moving and enriching.”
Emily Dickinson International Society Bulletin